Main Street Station

The station that welcomes us today at Disneyland Paris went through an earlier version before taking its current shape. In the early days of Euro Disney, Eddie Sotto envisioned Main Street, U.S.A. set in the 1920s.

Plans created by Eddie Sotto

In this first approach, the station remained above all a symbol: the point of arrival into the park, as in the other Disney parks, with an aesthetic identical to that of Walt Disney World.

Concept of the Main Street, U.S.A. station at Walt Disney World, drawn by Collin Campbell (?)

However, a major difference appeared once inside the park. The station was no longer alone. An elevated train stood opposite it, like an overhead metro, deliberately reshaping the perspectives of Town Square.

Concept of Town Square and the “elevated train” station, drawn by Collin Campbell and Eddie Sotto

This version was ultimately not selected. The Victorian theme replaced the Roaring Twenties concept and required a complete rewrite of the project. A new challenge became clear: the park entrance was now defined by a hotel.

Concept of the hotel in and at the entrance of Main Street, U.S.A., drawn by Nina Rae Vaughn and Eddie Sotto

It became necessary to completely redesign the station so it would not block the view from the hotel. Eddie Sotto did not abandon the references that had informed the Elevated Train concept.

Concept of the Main Street, U.S.A. station, drawn by Eddie Sotto and Jim Michaelson

He reused them for the entrance station, drawing inspiration from real New York stations and from those imagined for the film Hello, Dolly!, where railway architecture contributes to the setting without ever dominating it.

Production designer John De Cuir and director Gene Kelly examine the model of an elevated station from the set of the film Hello, Dolly!

The volumes are intentionally broken up to avoid any sense of mass, an approach already explored on It’s a Small World in California. The station stretches horizontally. It is slightly raised by a gentle slope, designed to accommodate the full train and improve guest flow.

Train passing through It’s a Small World at Disneyland

Its structure combines exposed wood and steel, evoking early 20th century railway architecture, balanced between craftsmanship and industry.

Interior concept of the station, drawn by Eddie Sotto

Concept of the station façade, drawn by Eddie Sotto

Even today, it is not a destination but a threshold. It guides the eye and the steps toward Main Street, U.S.A., without trying to dominate, and leads visitors toward the rest of their journey.