As its name suggests, Liberty Arcade follows a different theme from the other passage. Leading toward Frontierland, it was meant to offer a narrative thread connecting the Victorian era to the mythology of the American West.

Illustration found in one of the display windows, created by Frank Leslie for a newspaper in 1887
The Imagineers chose the Statue of Liberty for several reasons. It represents the historic link between France and the United States, supports the intent to integrate French culture into the park, and stands as a universally recognized symbol. It also refers to the story of immigrants arriving in the United States before continuing inland and, for some, toward the American West.
Photo from the Bartholdi Museum, which authorized the reproduction of the images displayed in the arcade
The visitor path follows a chronological progression. It begins with the creation of the monument in France, continues with its shipment to New York, symbolized at the center of Liberty Court, then focuses on its role for immigrants, and concludes with its international recognition, especially during its centennial celebrations.

Liberty Court concept, drawn by Eddie Sotto
During the design phase, Eddie Sotto wanted the interior architecture, shared by both arcades, to already reflect the industrial era. This choice was not unanimously supported within Disney, as some saw it as an anachronism in relation to the Victorian period. To justify it, the creative teams referred to the 1893 World’s Columbian Exposition in Chicago to show that this type of architecture could belong to the late nineteenth century.


Comparison between a lamp post from the 1893 World’s Fair and the technical drawing of a gas lamp for the arcades at Disneyland Paris
As at that exposition, light plays a central role in the arcade. Backlit glass ceilings suggest openness, while gas lamps, inspired both by period lighting and by the flame of the Statue of Liberty, cast a warm glow. They make the passage welcoming day and night, without ever giving the impression of an enclosed space.

Liberty Arcade concept, drawn by Eddie Sotto

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